| March 4, 2001, Manassas, VA. Hello
everyone, I have a couple of things to tell you about this month. First, I just
signed a deal with OASIS as a Featured Artist on their upcoming Rock Sampler Series!
They selected the song "cadillac mountain." This deal, in essence, places my
music in the hands of a large number of radio stations who: 1) have a primary format of
rock, and 2) play independent music. The
second bit of news is that the new Lake Jackson Studio has been completed and we have
moved in. The new sound-on-sound studio will provide a much greater degree of
control over music production than my last studio. I've included some pictures for
you to enjoy...
This is the primary systems rack that
contains a number of system effects, sound reinforcement and the hard interface components
for the new recording system. The new studio is capable of 32 tracks of audio and
virtually unlimited MIDI tracks. These new hardware components combined with the
hardware systems from the previous studio provide up to 40 tracks of audio, 32 tracks at
24 bit/96 kHz, and 8 at 16 bit/ 48.1 kHz, at zero latency, yep the big 0. These
systems have been specifically designed for sound-on-sound and therefore minimize the
total amount of external surfaces necessary for recording purposes. Due to the advances in
hardware and software technology, the footprint (physical space consumption) is at least
50% less than that of, say, ten years ago. |
Components Rack @ Lake Jackson
Studio |
Ballurio's guitar
effects/valves |
Years ago I
performed using a sound system that was the size of two large refrigerators side by side,
and that was just me! Today, I wouldn't dream of that, it's just not necessary
anymore, besides my hearing is very valuable. These new hardware systems have the
ability to alter the wave signature of an audio stream to any type of amplifier you can
imagine, all in real-time. This is really very cool... to be able to go directly
from the guitar to these "valves", and then directly to the recording system,
never actually leaving the digital domain after the analog to digital conversion of the
guitar. |
| One of the great things about
the new studio is that compared to my last one, the new one is huge. Room enough to
stretch out and spend a moment working on a new piece of music classically styled for my
upcoming CD.
This guitar that I'm playing is a new one, a Washburn
classical prototype... 1 of 24 built. The tone of this instrument is excellent, and when
plugged into the SOS matrix (I made that up... sounds cool though) the guitar really shows
its stuff. I really look forward to using it in the future. I'm really not
sure why Washburn decided not to pursue this market - can only think that a guitarist who
would purchase such an instrument would be more of a traditionalist, and therefore go for
the classical makers known for that type of work.
|

A classical moment!!!
|
Rocking in the new studio! |
This photo is of
Ruby and I taking the new recording systems for a test drive, laying a few tracks for my
next CD.
Song project setup in the new studio is really very
cool. Using the MIDI channels, all instrument settings can be passed from the PC to
all devices and, in essence, set up all components for a particular song. This
technology has been around for some time; however, my last studio was not enabled to do
it, the new one is. Using these MIDI system files all devices are setup in a matter
of seconds... very cool. I can even reroute all signal paths for any changes that I
may want to make, again this is a dramatic change from the last studio.
Not the best picture, I usually wear Spandex in the
studio cause I jump around a lot... Ha... just joking! - no really I'm joking!!!
|
|
Wendy in one of her quiet moments (rare), reading one of
her many thousand books she reads yearly. I enjoy when she comes to the studio and
hangs out with me... |
A good looking studio babe!
|
|